Narendra Yadav

l r 2 of 100 works

Rejection of Finality, 2007

Mixed media including acrylic, wood, fiberglass

64 x 72 x 48 inches

NARENDRA YADAV [1964, India]

The scientific-looking installation Rejection of Finality takes a look at the in-between spectrum that exists in real life between two genders.
Between the pink and blue ends of the tube a human brain constantly oscillates, hinting at the blurred existence of sexuality and the futility of declaring any situation as final.