Hold On

The work for Hold On continues my investigation into modernist objects. These objects call into question material and formal hierarchies while maintaining a staunch dedication to the language of making. I exploit the structural quality of wood but often invert the conventions of material hierarchy to make work that visually challenges assumptions.

In the work for Hold On, large architectural and formal devices (in this case, gallery pedestals) are stand-ins for the idealized Modernist rationale (simple geometric structures in which form follows function) that were exported from Europe in mass during modernism\'s peak. These cold forms are supported by wooden structures (waffle like risers), which act to locate the pure logic of the larger forms. Each of the three riser and pedestal structures also hold a geodesic form which reference both natural crystalline configurations (a fascination of early modernist philosophers) and the mathematical abstraction of more complicated organic forms through a system of geometry.

Furthermore, I am drawing attention to that which holds (i.e. the pedestal), by creating an elevation/uplift for it through meticulous hand made risers while also engaging with the architecture of the space. This works simple gesture strives to create a looping metaphor. Holding that which holds.